Ash fall
Nine hours of reduction at the front of the kiln left a heavy ash deposit on the tableware. The mugs came out with a green-grey skin.
Stoneware studio — Somerset, UK
Hand-thrown vessels, wood-fired twice a year in small editions. Heavy in the hand, quiet on the table, built to outlast the trend it arrived in.
02 — The atelier
Each edition is thrown on the wheel over eight weeks, dried slowly, then packed into the wood kiln. Forty hours of stoking later, the ash settles into the glaze and no two pieces come out the same. When an edition is gone, the form is retired.
03 — Kiln log
Each firing is recorded. The results below are what the kiln decided, not what we planned.
Nine hours of reduction at the front of the kiln left a heavy ash deposit on the tableware. The mugs came out with a green-grey skin.
Two shelves cooled too fast. Eleven pieces lost, the rest kept a fine crackle through the glaze — sold as seconds.
We salted the firebox at peak temperature. The orange-peel texture on the carafes has not repeated since.